This work is Leonardo's
St. Jerome Praying in the Wilderness, now in the c
ollection of the Vatican Museums. It is an unfinished painting that was at one time, apparently, cut into smaller pieces and separated among different owners to live separate lives in separate
environmental conditions. At a later date, the various pieces were located and rejoined. You can see one of the sections that lived a separate life in the center of the saint's torso.
But, I don't really want to write about the oddities of this particular work's life--I want to talk about why I think it is not a very good piece by Leonardo. Please note that
any work by Leonardo is at the very least a good work--and given their rarity, maybe I should say by great...but by
Leonardine standards, this one seems pretty weak to me.
The problem, in my view, is in the rendering of muscles and tendons in the neck where they attach to the collarbone. It has the appearance of a big, flat, formless X cutting Jerome's head away from his body. It looks to me like a rendering error--a failure to create a sense of depth, which is
precisely the sort of
frustration that can put an artist in a dismal mood--especially if you cannot figure out how to correct it.
I am no art historian or conservationist. I just look long and hard at lots and lots of work.
Leonardo's paintings are so rare--and I think I can actually say I have seen most of them in the flesh. They are always shimmering and elegant, and seem to have almost infinite depth.
This painting, like so many other things
Da Vinci approached, was left unfinished. In the back of my mind I wonder--I would almost bet--that the artist was frustrated and unhappy with it. Of course, he may have just stopped working on it because he found himself in the midst of one of his major
relocations, and just left it behind and never took it back up once he got to Milan, or
wherever. But that harsh X would be enough for me to put down the brush.
As for St. Jerome, he is one of the most famous biblical scholars and considered a Doctor of the Catholic church. He is often depicted with a lion (as here in Leonardo's version) referencing a medieval story in which Jerome removed a thorn from the paw of a lion. Jerome also spent time in the Syrian desert studying the Bible and purportedly had a vision there. While there are many other documented aspects of his life and his important theological contributions--the wilderness and the lion seem to hold the greatest interest for Renaissance artists and their audiences.